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Showing posts with label interviews. Show all posts
Showing posts with label interviews. Show all posts

Thursday, November 25, 2010

Ram Charan Teja Exclusive Interview

Ram Charan is arriving with Orange after a magnum opus Magadheera. Just two films old in the industry, the actor has shifted tracks and genres with his third film Orange, a love story directed by Bommarillu Bhaskar.The film also stars Genelia D’Souza and Shahzahn Padamsee.

Ram Charan's exclusive interview

After a stupendous hit Magadheera, you chose to do a love story. Did you want to break away from that image and genre?

Not that I consciously wanted to do it but I had no other option. There will be no other story like Magadheera in the near future. So I chose a pure modern urban love story and could think of only Bhaskar as he has made a niche with his clean love stories which is ideal for a family audience.

Love stories are dime a dozen. How different is Orange?

In terms of characterisation, I have not seen anything like this before. It's very close to people's lives -- their day-to-day lives. There are truths in this movie, and it's educative. Every person -- young and old would have traces of this in their personal life as well. While making this film, I tried hard to get close to the character I play on screen.

Is the film a contemporary take on an issue or something fictional?

It's all about living a better life -- not about sacrificing but about understanding. We want the youth, the married couples and the aged to realise the intention of two people coming together. The movie shows a path of a better life, more hope, more love, more belief. This is what is lacking in today's relationships. It will lay a new path for relationships.

What's your role in the film?

The film unfolds from my character's perspective -- how the rest of the characters disagree to my way of living. I play an honest person whose love turns bitter because of his honesty. Here you will see only the character Ram. I play the character from the age of 16 to 25. I have not revealed this to anyone yet.

So, how was it shooting for this age group -- more so as a 16-year-old?

We worked backwards. We first shot the scenes where I am 25 years old first and then the ones where I am 16. I had to lose a lot of weight. I called my 16-year-old brother to the sets and interacted with him. I asked him questions, got his reactions and then portrayed the role.

Did you draw from your life when you were 16 as well?

There are traces of 16-year-old Charan in it -- you will see a shy 16-year-old on the screen.

You have two pretty young girls Genelia and Shahzahn in Orange. How was it working with them?

It was nice. I thought Orange was Shahzahn's first film as I didn't know she had done Rocket Singh earlier. I got to know about it later. She plays a character who is coming of age and added a lot of freshness to the character. She also did a song Rooba...where she put some life into it.

Genelia has done a number of movies. She has done this genre of movies like Boys, Jaane Tu.. She made me comfortable. She always surprised me. Even during rehearsals she would be innocent and we would think she didn't understand what Bhaskar said in Telugu. But when 'roll camera' was uttered, she would shock us. It was great to work with her. I would love to work with her in more films.

How was it working with Bhaskar?

He was different from my previous directors Puri Jagannath and SS Rajamouli, who were commercial directors. Working in Orange under Bhaskar was like a picnic. I used to wonder whether I was shooting because I used to do breezy scenes unlike in Magadheera where I was breaking people's hands. Bhaskar is strong in content as he is a writer and he handled the pressure well.

Expectations are high after Magadheera. Is that weighing on your mind?

I cannot run away. I am scared a bit. This may be a shock to the audience. It's easy in the industry to be slotted and I don't want that.

In today's times whether you like it or not, the division between mass and class entertainers is clear. Where does Orange fit in?

I don't subscribe to this division. If you go back in time, the film Khushi (Pawan Kalyan's) broke all norms of class and mass. Good cinema will always work. Orange is like universal cinema. These kinds of films should be promoted.

Your next project is Meruppu with Dharani -- a director who has delivered huge hits in the past. Meruppu is supposed to revolve around football...

Yes, it revolves around football. I wanted to do something sporty -- movies which connect with life than revenge drama. Sports connect to a wider audience.

How far has Meruppu progressed?

We have just finished one schedule.

Are you learning football for this film?

Yes, there is a trainer from Australia.

Have you signed any other project?

I'm doing a film with Krishnavamsi, the shooting of which may start when I am midway through Meruppu.

How does it feel to be Chiranjeevi's son? Is carrying the baggage difficult?

On screen, I have learnt to tackle it. Personally I have to learn to do it.

As an actor what are the kinds of films you want to do? How much would you want to push the envelope?

Pushing it for Orange was daring enough. I want to do 3 films a year though people say it may not be possible. Out of the three I want to do one which is meaningful, strong in content or an art film.

Are you getting used to losing your privacy and being under spotlight?

I don't go out much. Whenever I feel the need, I travel out of Hyderabad. Once in while I do want to sit in a coffee shop with my friends or have dinner in a restaurant. Yes, I miss that.

Do you have any time to indulge in pastimes?

I am into horse riding. I have four horses at my farm and spend a lot of time with them. I like reading self-help books, autobiographies and those on philosophy.

Ram Charan Teja Exclusive Interview

Ram Charan is arriving with Orange after a magnum opus Magadheera. Just two films old in the industry, the actor has shifted tracks and genres with his third film Orange, a love story directed by Bommarillu Bhaskar.The film also stars Genelia D’Souza and Shahzahn Padamsee.

Ram Charan's exclusive interview

After a stupendous hit Magadheera, you chose to do a love story. Did you want to break away from that image and genre?

Not that I consciously wanted to do it but I had no other option. There will be no other story like Magadheera in the near future. So I chose a pure modern urban love story and could think of only Bhaskar as he has made a niche with his clean love stories which is ideal for a family audience.

Love stories are dime a dozen. How different is Orange?

In terms of characterisation, I have not seen anything like this before. It's very close to people's lives -- their day-to-day lives. There are truths in this movie, and it's educative. Every person -- young and old would have traces of this in their personal life as well. While making this film, I tried hard to get close to the character I play on screen.

Is the film a contemporary take on an issue or something fictional?

It's all about living a better life -- not about sacrificing but about understanding. We want the youth, the married couples and the aged to realise the intention of two people coming together. The movie shows a path of a better life, more hope, more love, more belief. This is what is lacking in today's relationships. It will lay a new path for relationships.

What's your role in the film?

The film unfolds from my character's perspective -- how the rest of the characters disagree to my way of living. I play an honest person whose love turns bitter because of his honesty. Here you will see only the character Ram. I play the character from the age of 16 to 25. I have not revealed this to anyone yet.

So, how was it shooting for this age group -- more so as a 16-year-old?

We worked backwards. We first shot the scenes where I am 25 years old first and then the ones where I am 16. I had to lose a lot of weight. I called my 16-year-old brother to the sets and interacted with him. I asked him questions, got his reactions and then portrayed the role.

Did you draw from your life when you were 16 as well?

There are traces of 16-year-old Charan in it -- you will see a shy 16-year-old on the screen.

You have two pretty young girls Genelia and Shahzahn in Orange. How was it working with them?

It was nice. I thought Orange was Shahzahn's first film as I didn't know she had done Rocket Singh earlier. I got to know about it later. She plays a character who is coming of age and added a lot of freshness to the character. She also did a song Rooba...where she put some life into it.

Genelia has done a number of movies. She has done this genre of movies like Boys, Jaane Tu.. She made me comfortable. She always surprised me. Even during rehearsals she would be innocent and we would think she didn't understand what Bhaskar said in Telugu. But when 'roll camera' was uttered, she would shock us. It was great to work with her. I would love to work with her in more films.

How was it working with Bhaskar?

He was different from my previous directors Puri Jagannath and SS Rajamouli, who were commercial directors. Working in Orange under Bhaskar was like a picnic. I used to wonder whether I was shooting because I used to do breezy scenes unlike in Magadheera where I was breaking people's hands. Bhaskar is strong in content as he is a writer and he handled the pressure well.

Expectations are high after Magadheera. Is that weighing on your mind?

I cannot run away. I am scared a bit. This may be a shock to the audience. It's easy in the industry to be slotted and I don't want that.

In today's times whether you like it or not, the division between mass and class entertainers is clear. Where does Orange fit in?

I don't subscribe to this division. If you go back in time, the film Khushi (Pawan Kalyan's) broke all norms of class and mass. Good cinema will always work. Orange is like universal cinema. These kinds of films should be promoted.

Your next project is Meruppu with Dharani -- a director who has delivered huge hits in the past. Meruppu is supposed to revolve around football...

Yes, it revolves around football. I wanted to do something sporty -- movies which connect with life than revenge drama. Sports connect to a wider audience.

How far has Meruppu progressed?

We have just finished one schedule.

Are you learning football for this film?

Yes, there is a trainer from Australia.

Have you signed any other project?

I'm doing a film with Krishnavamsi, the shooting of which may start when I am midway through Meruppu.

How does it feel to be Chiranjeevi's son? Is carrying the baggage difficult?

On screen, I have learnt to tackle it. Personally I have to learn to do it.

As an actor what are the kinds of films you want to do? How much would you want to push the envelope?

Pushing it for Orange was daring enough. I want to do 3 films a year though people say it may not be possible. Out of the three I want to do one which is meaningful, strong in content or an art film.

Are you getting used to losing your privacy and being under spotlight?

I don't go out much. Whenever I feel the need, I travel out of Hyderabad. Once in while I do want to sit in a coffee shop with my friends or have dinner in a restaurant. Yes, I miss that.

Do you have any time to indulge in pastimes?

I am into horse riding. I have four horses at my farm and spend a lot of time with them. I like reading self-help books, autobiographies and those on philosophy.

Friday, November 19, 2010

Interview with Bommarillu Bhaskar

An young director who can only be associated with the films that have been successful is none other than Bhaskar. It was as assistant director he worked for movies like ‘Badra’ and ‘Arya’ whose success level is known to everybody. This convinced Dil Raju to make him sit on the director’s chair of ‘Bommarillu’ which fetched him astronomical fame and thus his name became ‘Bommarillu Bhaskar’. This was followed another award winning film ‘Parugu’ which fetched Allu Arjun the Best Actor award from Filmfare. Now, he has totally rewritten the image of Ram Charan Tej, who is seen as an action hero and who will be now projected as a lover boy by Bhaskar in his film ‘Orange’. Bhaskar took some time to spend out his experience in making of ‘Orange’. A few excerpts are:

How did you conceptualise Charan’s character?

I’m showing Charan in a new angle. The story revolves around Australia backdrop therefore I designed Ram Charan’s character based on the life style of Indian youth in Australia. His characterization in this film is quite different from the ones he did in his first two films. It’s not just his looks but his performance will also be different in this film. His character in the film has a carefree attitude and his performance will portray today’s youth. Infact, his fans should not expect action oriented character of Charan, something what they have seen in his earlier films. They should understand that Charan is doing a good role and it is important that he is giving a good message.


How do you compare Orange with that of Ram Charan’s other movies?

While Ram Charan’s first movie deals with father-son relationship and his 2nd film is about rebirth and revenge, ‘Orange’ is a different love story which you have to watch it on screen. Everything in the film needn’t have to be real. This story was written based on the incidents that occurred around me and it will be very close to the life.

‘Magadheera’ is a super duper hit. Does it have any impact on your approach towards ‘Orange’?

When the discussions for ‘Orange’ took place, ‘Magadheera’ was nowhere in the vicinity. I initially narrated the story to Naga Babu garu and then to Charan. Charan was immensely impressed with his characterization and agreed to do this film. Infact I’m very happy that both the storylines are distinctly different. I felt very relieved when I saw ‘Magadheera’ on the screen. It’s since ‘Magadheera’ portrayed him as a mass hero, whereas in ‘Orange’ it is different.

What is your experience working with Naga Babu, the producer?

I must first thank Nagababu sir for his support. After listening to the story he told me to direct the film exactly the way I visualised it. He has always been a step ahead when it comes to cooperation while shooting. Shooting a film with huge star cast at overseas is not an easy task. Even if there is a small disturbance, the entire schedule will collapse due to which the budget cost will increase. I can understand the tension that he underwent as a producer because of such disturbances. I understood the difficulty of shooting a film in a foreign country during the first schedule itself. But his support played a vital role in churning out a film of best quality and standards. His only requirement from me was a good film. So I’m cent percent confident that I’m going to deliver a good film under Anjana Productions banner.

So this is the 2nd time you are directing Genelia. How this chemistry works?

I’m confident that our combination will once again be a hit. According to me the character of Genelia in ‘Orange’ resembles 90% of girls in the world. So when the female audiences watch her on screen they will identify themselves with this character though her costumes may look glamorous.

Can you tell something about the second heroine?

As per the storyline, I needed one more female character which was played by Shazahn. She brings in enough twist in the story which you may have to watch it on screen.

How was it working with the music director Harris Jayaraj?

It’s a known fact that the movie’s music is already a hit with all the 6 songs welcomed by the Telugu public. Infact, the credit goes totally to the music director Harris Jayaraj who was very particular about Telugu nativity. He insisted on the singers from Telugu speaking background since he wanted the words to be very clearly pronounced. This is the quality of him which I liked the most.

On lyrics?

I’m also really very happy with the works of lyricists. They have discussed a lot and rewrote many times to render the aptly suitable lyrics. My contribution was nothing except that I told them the situations. All four lyricists provided the best lyrics for the film. I must make a very special mention on Vanamali who wrote 4 songs. Initially his words were not that impressive but later on his repeated attempt he has come out with such catchy lyrics like ‘O Range Love Idhi O Baby, Otami Nepudu Choodanidi…’. Infact he could not believe himself that he could really pen such words.

What about the comedy track?

Brahmanandam is doing a small role in this film but I did not want him to portray just as a comedian, so I designed his character in such a way that it also has identification. In ‘Bommarillu’ he did just a single scene, but in ‘Orange’ he is throughout the film.


Seems Prabhu and Prakash Raj are also in the film?

Yes, the Tamil actor Prabhu is doing a very important role. When it comes to Prakash Raj, I approached him for doing a small role in this film. He thought calmly for 5 minutes and said “Yes”. It’s of course a key portion in the film.


We hear that there is a sky diving stunt in the movie. Can you tell us about that?

Yes! It is a stunt for which I worked very hard and did a lot of homework. But unfortunately I had to miss the shooting of that portion due to the audio function. The stunt needed the Ariel cameraman to jump along with the stuntman and hence needed a lot of perfection. I even took expert advice from different sources located in different countries like USA (New York, New Jersey), Australia, Hong Kong, etc.

What is your message?

I did my first two films focusing heart, but this film also is on heart but with high influence of brain. This movie would definitely haunt the audience for atleast a week after they watch it. This is a complete family entertainer, which the entire family can watch at theaters and will not leave without carrying a message. I request everyone to avoid piracy because it will kill us and the industry also.

Interview with Bommarillu Bhaskar

An young director who can only be associated with the films that have been successful is none other than Bhaskar. It was as assistant director he worked for movies like ‘Badra’ and ‘Arya’ whose success level is known to everybody. This convinced Dil Raju to make him sit on the director’s chair of ‘Bommarillu’ which fetched him astronomical fame and thus his name became ‘Bommarillu Bhaskar’. This was followed another award winning film ‘Parugu’ which fetched Allu Arjun the Best Actor award from Filmfare. Now, he has totally rewritten the image of Ram Charan Tej, who is seen as an action hero and who will be now projected as a lover boy by Bhaskar in his film ‘Orange’. Bhaskar took some time to spend out his experience in making of ‘Orange’. A few excerpts are:

How did you conceptualise Charan’s character?

I’m showing Charan in a new angle. The story revolves around Australia backdrop therefore I designed Ram Charan’s character based on the life style of Indian youth in Australia. His characterization in this film is quite different from the ones he did in his first two films. It’s not just his looks but his performance will also be different in this film. His character in the film has a carefree attitude and his performance will portray today’s youth. Infact, his fans should not expect action oriented character of Charan, something what they have seen in his earlier films. They should understand that Charan is doing a good role and it is important that he is giving a good message.


How do you compare Orange with that of Ram Charan’s other movies?

While Ram Charan’s first movie deals with father-son relationship and his 2nd film is about rebirth and revenge, ‘Orange’ is a different love story which you have to watch it on screen. Everything in the film needn’t have to be real. This story was written based on the incidents that occurred around me and it will be very close to the life.

‘Magadheera’ is a super duper hit. Does it have any impact on your approach towards ‘Orange’?

When the discussions for ‘Orange’ took place, ‘Magadheera’ was nowhere in the vicinity. I initially narrated the story to Naga Babu garu and then to Charan. Charan was immensely impressed with his characterization and agreed to do this film. Infact I’m very happy that both the storylines are distinctly different. I felt very relieved when I saw ‘Magadheera’ on the screen. It’s since ‘Magadheera’ portrayed him as a mass hero, whereas in ‘Orange’ it is different.

What is your experience working with Naga Babu, the producer?

I must first thank Nagababu sir for his support. After listening to the story he told me to direct the film exactly the way I visualised it. He has always been a step ahead when it comes to cooperation while shooting. Shooting a film with huge star cast at overseas is not an easy task. Even if there is a small disturbance, the entire schedule will collapse due to which the budget cost will increase. I can understand the tension that he underwent as a producer because of such disturbances. I understood the difficulty of shooting a film in a foreign country during the first schedule itself. But his support played a vital role in churning out a film of best quality and standards. His only requirement from me was a good film. So I’m cent percent confident that I’m going to deliver a good film under Anjana Productions banner.

So this is the 2nd time you are directing Genelia. How this chemistry works?

I’m confident that our combination will once again be a hit. According to me the character of Genelia in ‘Orange’ resembles 90% of girls in the world. So when the female audiences watch her on screen they will identify themselves with this character though her costumes may look glamorous.

Can you tell something about the second heroine?

As per the storyline, I needed one more female character which was played by Shazahn. She brings in enough twist in the story which you may have to watch it on screen.

How was it working with the music director Harris Jayaraj?

It’s a known fact that the movie’s music is already a hit with all the 6 songs welcomed by the Telugu public. Infact, the credit goes totally to the music director Harris Jayaraj who was very particular about Telugu nativity. He insisted on the singers from Telugu speaking background since he wanted the words to be very clearly pronounced. This is the quality of him which I liked the most.

On lyrics?

I’m also really very happy with the works of lyricists. They have discussed a lot and rewrote many times to render the aptly suitable lyrics. My contribution was nothing except that I told them the situations. All four lyricists provided the best lyrics for the film. I must make a very special mention on Vanamali who wrote 4 songs. Initially his words were not that impressive but later on his repeated attempt he has come out with such catchy lyrics like ‘O Range Love Idhi O Baby, Otami Nepudu Choodanidi…’. Infact he could not believe himself that he could really pen such words.

What about the comedy track?

Brahmanandam is doing a small role in this film but I did not want him to portray just as a comedian, so I designed his character in such a way that it also has identification. In ‘Bommarillu’ he did just a single scene, but in ‘Orange’ he is throughout the film.


Seems Prabhu and Prakash Raj are also in the film?

Yes, the Tamil actor Prabhu is doing a very important role. When it comes to Prakash Raj, I approached him for doing a small role in this film. He thought calmly for 5 minutes and said “Yes”. It’s of course a key portion in the film.


We hear that there is a sky diving stunt in the movie. Can you tell us about that?

Yes! It is a stunt for which I worked very hard and did a lot of homework. But unfortunately I had to miss the shooting of that portion due to the audio function. The stunt needed the Ariel cameraman to jump along with the stuntman and hence needed a lot of perfection. I even took expert advice from different sources located in different countries like USA (New York, New Jersey), Australia, Hong Kong, etc.

What is your message?

I did my first two films focusing heart, but this film also is on heart but with high influence of brain. This movie would definitely haunt the audience for atleast a week after they watch it. This is a complete family entertainer, which the entire family can watch at theaters and will not leave without carrying a message. I request everyone to avoid piracy because it will kill us and the industry also.

Sunday, October 3, 2010

Kajal Agarwal : Mahesh & NTR Jr. have the edge

Kajal Agarwal speaks to TOI on her upcoming film, competition, micro-blogging sites and more ...

Your forthcoming film with NTR Jr. is ready to hit the screens...
I'm really excited because "Brindavanam" is a true family entertainer. It has everything - romance, action, comedy.

It also has another heroine.
Well, I'm not an insecure actor. I don't care if the film has three or even four heroines because what matters to me most, is the script and my role. My character in every film that I do has to be justified, and that's the only thing I'm bothered about. Sorry, but no cat fights for me (laughs).

Rajinikanth's "Robot", Mahesh's "Khaleja" and NTR Jr.'s "Brindavanam" - the industry is seeing this as clash of the titans.
True. But from an audience point of view, this is an exciting period for cinema as you have so many good and big films releasing. If I get a chance I'll watch all three!

Are you being diplomatic?
See, economics is important to the industry at this point. Yes, there are concerns about these films eating into the profits of the other, but to be honest there isn't much to worry about. All the three movies belong to different genres and all the three actors have their own fan base. Plus the movies are releasing a week from each other so it will definitely benefit. I don't have much knowledge about these things but I know that Mahesh and NTR Jr. are big stars and have huge fan following - both of them have the edge. At a time when the market is uncertain you never know what works and what doesn't. So, it's good that films from different genres will hit the screens. At the end of the day, its entertainment the audience is looking for. If both films work, it's going to be great for the industry.

Your film "Magadheera" bagged two National Awards this year.
Awards are very exciting, especially at the national level. It was such a proud moment not only for the people involved in the movie, but also the Telugu film industry. There was a lot of hooplah around the film ever since it released. Though the National Awards haven't influenced my career in any particular way, the film did in a big way. And I'm thankful for that.


Most of your colleagues from the industry are on a micro-blogging site. Why haven't you joined?
I'm not a techno-savvy person. I can handle basic Internet stuff, not more.

That's the only reason?
Well, to be honest I cannot see myself blogging every minute. I don't have it in me to give details about my whereabouts - I'm eating, I'm getting a manicure, I'm in Mumbai. I don't see why I should give out such personal details. I'm not saying micro-blogging is a bad thing. It's an influential medium because it gives the star a voice and you can put forward your opinion without being misquoted. But I feel a star loses his/her enigma when you give out too many details. I would also like to clarify that there are fake profiles of mine on the micro-blogging site.

What other projects are you working on?
I'm currently shooting with Naga Chaitanya and have another film with Prabhas. That apart, I have a Tamil film and some other projects that I can't talk about right now because they are in their early stages.
Courtesy-TOI

Kajal Agarwal : Mahesh & NTR Jr. have the edge

Kajal Agarwal speaks to TOI on her upcoming film, competition, micro-blogging sites and more ...

Your forthcoming film with NTR Jr. is ready to hit the screens...
I'm really excited because "Brindavanam" is a true family entertainer. It has everything - romance, action, comedy.

It also has another heroine.
Well, I'm not an insecure actor. I don't care if the film has three or even four heroines because what matters to me most, is the script and my role. My character in every film that I do has to be justified, and that's the only thing I'm bothered about. Sorry, but no cat fights for me (laughs).

Rajinikanth's "Robot", Mahesh's "Khaleja" and NTR Jr.'s "Brindavanam" - the industry is seeing this as clash of the titans.
True. But from an audience point of view, this is an exciting period for cinema as you have so many good and big films releasing. If I get a chance I'll watch all three!

Are you being diplomatic?
See, economics is important to the industry at this point. Yes, there are concerns about these films eating into the profits of the other, but to be honest there isn't much to worry about. All the three movies belong to different genres and all the three actors have their own fan base. Plus the movies are releasing a week from each other so it will definitely benefit. I don't have much knowledge about these things but I know that Mahesh and NTR Jr. are big stars and have huge fan following - both of them have the edge. At a time when the market is uncertain you never know what works and what doesn't. So, it's good that films from different genres will hit the screens. At the end of the day, its entertainment the audience is looking for. If both films work, it's going to be great for the industry.

Your film "Magadheera" bagged two National Awards this year.
Awards are very exciting, especially at the national level. It was such a proud moment not only for the people involved in the movie, but also the Telugu film industry. There was a lot of hooplah around the film ever since it released. Though the National Awards haven't influenced my career in any particular way, the film did in a big way. And I'm thankful for that.


Most of your colleagues from the industry are on a micro-blogging site. Why haven't you joined?
I'm not a techno-savvy person. I can handle basic Internet stuff, not more.

That's the only reason?
Well, to be honest I cannot see myself blogging every minute. I don't have it in me to give details about my whereabouts - I'm eating, I'm getting a manicure, I'm in Mumbai. I don't see why I should give out such personal details. I'm not saying micro-blogging is a bad thing. It's an influential medium because it gives the star a voice and you can put forward your opinion without being misquoted. But I feel a star loses his/her enigma when you give out too many details. I would also like to clarify that there are fake profiles of mine on the micro-blogging site.

What other projects are you working on?
I'm currently shooting with Naga Chaitanya and have another film with Prabhas. That apart, I have a Tamil film and some other projects that I can't talk about right now because they are in their early stages.
Courtesy-TOI

Sunday, September 5, 2010

Mahesh Babu interview on South Scope : Exclusive

What do I say about p e r c e p t i o n s ?

Many people including some of my media colleagues had led me to believe that Mahesh Babu, the award winning superstar, ambassador for 5 leading brands, may be ruling the roost, but getting him to talk is a project in itself. Obviously, I was blown out of my head when he turned out to be articulate, philosophical and humorous, breaking my perceptions to mithereens. Hear it first hand from the hit man of Telugu cinema as he holds forth on his life so far, brand endorsements, Khaaleja and his dreams…

“The years that I didn’t act are the ones that helped me grow as an actor. I took a break for three years. I can feel the evolution in me. Trivikram’s been echoing my sentiments ever since we began shooting for Khaaleja,” says Mahesh Babu.

All eyes are on his forthcoming film Khaaleja, which is indubitably one of the most awaited films of the season. Everybody is waiting with bated breath to see what the king of understatement, master of subdued acting, is unleashing this time around. We are in Ramoji Film City, Hyderabad, where Mahesh’s entry song is being shot. He is grooving away in a rust and white checks shirt and a pair of blue jeans. He’s sweating buckets no thanks to the humid day and the dusty location is not much help either. Trivikram, his only friend and favourite director is watching intently. Cinematographer, Yash Bhatt is shooting his first south Indian film with gusto. In the background you can see vegetable and fruit bandis and a typical Irani chai place with an interesting name `Try Luck CafĂ©.’ On his right at the far end is a store, Anu Sarees. In the same row at the other end is a Univercell banner, the brand he endorses. People have gathered around the scene to get a dekko of their favourite hero. He gets his moves right and the choreographer is happy. He says something and everybody is in splits. You can sense the easy camaraderie amongst the team. He walks towards the computer, checks out the scene on the monitor carefully and says ‘looks fine.’ He walks towards me and says, “Too much noise here. Let’s go.” And leads me to the vanity van. Once inside, I tell him how we’ve been on a chase to get him on our cover since our launch issue. He says earnestly, “Sorry, I am not a phone person at all,” pointing to the cell phone that’s lying in a corner, “I carry it to stay accessible to Namrata.” I explain, we’d actually been speaking to his wife Namrata who kept us updated from time to time, methodically and promptly. “She’s just unbelievably amazing,” he gushes belying his shy nature, “She’s made my life so much easier. Besides being a great wife and mother, she also handles all aspects of my work. I only look at the creatives. She’s also influenced my dressing. Earlier, I would be comfortable only in checks shirts and jeans but she introduced me to T shirts. Now, I quite enjoy experimenting with my look.” Quite right. His wardrobe has undergone a make- over since Athadu. Was it a conscious decision? Did Namrata play a role in that department as well? “Times are changing. You don’t need me to tell you that. Everything today is about clothes, hair, looks and appearances. For Khaaleja, Mamta Anand has designed my clothes. Namrata brought her on board and she has done a fabulous job.”

On the personal front, everybody is commenting on how he looks more at ease with himself after marriage unlike his earlier reclusive self. “Contrary to perceptions, I am not a recluse. You could call me a private guy. You could even call me shy. Even when Pokiri became this huge massive hit, I felt shy and nervous with all the attention I was getting. But calling me a recluse is a bit far-fetched, you know. The fact is I like my space. I still get uncomfortable with attention though I’m getting better with handling it thanks to Namrata. I’m not a guy who’s ever been into socialising or hanging out at night clubs. That’s not my scene. I love being at home with my family. Namrata has definitely brought out the best in me. My son has totally transformed my life. When I hear my four year old son talk, it’s like a miracle. It’s difficult to put it into words,” says the actor who’s known to be a man of few words. “I’ve been talking ad nauseum to you. I take a little longer than most people to open up. I also don’t believe in using words when silence serves a better purpose. But when words are required for communication, I can speak at length. Like I’m doing at the moment,” he flashes a smile that reaches his eyes. Who are his friends? “Trivikram from the industry.” And outside? “None,” he says. What? How’s that possible? “Yes, it’s true. I have no friends. I studied in Chennai till my B.Com. When I moved to Hyderabad, I lost touch with my friends. Not that I had many of them. Honestly, I don’t miss having friends. I am quite happy with my own company and my family’s. Either I’m working or I’m at home. Life’s blissful this way.” He may not be into socialising but he’s been easily the most active south star on Twitter. “Namrata and Blah, the celeb management company that handles my endorsements were instrumental in getting me on Twitter. They made me realise that this is the only platform where I could have a direct connection with people. Now, I really enjoy tweeting.” Some people are downright rude to stars on networking sites. How does he deal with them? “I haven’t encountered such people, luckily, so far. But if I do, I will ignore them.”

So what’s he doing in Khaaleja? “Ask what Khaaleja is doing in me,” he guffaws. “Jokes apart, you will see a brand new side of Mahesh Babu that’s never been seen before on screen. So far, I’ve played subdued, understated yet powerful roles. This is the first time my character is loud, brash, funny as hell and yet very realistic. Very natural, very convincing. I can never do anything that I’m not convinced about.” How convincing can a professional killer be like he was in Athadu? “Actually, I had trouble initially convincing myself that I can pull it off. But once the director explained the circumstances and situations, I managed to get into the skin of the character. And I think I did a fairly decent job.” Decent? That was by far one of his best on screen performances. “My personal favourite is Okkadu though,” he says. So how does he go about signing a script other than the fact that it should excite him? “I look mainly at the characterisation of my role in the context of the story. If that interests me, if it captures my imagination, I take it on.” So what goes wrong when a film doesn’t work like Sainikudu, for instance? “That was a bad film. The director is undoubtedly one of the best in the industry. Half way through the shooting of Sainikudu, I knew it wasn’t going to work. But then, you can’t abandon a project just because you stop believing in it, right? That has happened with many of my films that flopped.”

So does he change his approach when a film doesn’t deliver? “No, I don’t.” Do flops affect him? “Of course, they do. I get depressed, dejected, I go through a huge turmoil. But I have become better at handling it now. Three years of break helped me immensely.” What did he do during the break? “I saw my son grow up. I also went through deep pain. I lost my grandmother, who I was closest to and also lost my in laws. I spent loads of time with my family. I also discovered my inner strength through spiritual reading. Eckhart Tolle’s The Power of Now and New Earth have influenced me a great deal. I have, however, always been a very balanced person from day one, largely because of my father. He was a huge star with an unbelievable fan following when I was growing up. But at home, he was just my father. No star treatment, no starry airs. I think the best gift parents can give their children is grounding. I hope I can demonstrate to my son what my father did for me. I can’t thank him enough. You know, my being here today, in films is entirely due to him. Every year, we would go to Ooty for summer vacations. Every summer, he would get me to do a film. Before I realised what was going on, I had become a child star with a fan following and popularity! It is easy to get carried away and lose your head. But I have been lucky to have had a normal upbringing.”


What does he like about being a star and why does he think he has the maximum number of endorsements compared to his contemporaries? “I love the recognition, money, fame, love, success but what I love most is the creative aspect of this profession. No two days are the same. There is no scope for monotony or boredom. Yes, I love the endorsements that come my way too. At the end of the day, endorsements are based on an actor’s popularity. I hope that answers your question. Having said that, I must tell you that I accept only the products I believe in. My criteria for accepting Univercell, for instance, was based on the founder’s humble beginnings and his conviction that helped his company succeed in a big way. Thums up, the other brand I have been endorsing for some time now, is a household name and so is Amrutanjan, the newest brand in my wagon. The Provogue campaign should be out soon,” he explains grinning from ear to ear.


Would he ever do a multistarrer? “Why not? I’m open. Though I have my doubts if anybody can come up with a befitting story.” Who would be his dream co star? “Pawan Kalyan. Now, that would be interesting.” Would he ever venture into other areas of filmmaking? “Nah. Once an actor, always an actor. I’m passionate only about acting. I haven’t done anything else in my life, you see. From age 4 to now. I can’t think beyond acting.” That, we’re sure, is music to the ears of his legion of fans.


Namrata Ghattamaneni on Mahesh Babu

As an actor I think he is by far one of the best actors we have in our country. I say country because that’s how I feel truly. He is a consummate actor and gives his all to the character he portrays each time. He is totally committed to his craft. As a husband, he’s incredibly loving and truly understanding. We are the best of friends. Meeting and marrying him have been the best things that have happened to me. I am going through the happiest phase of my life. Do I have to say more? As a father, he’s the best dad in the whole world. At least that’s what Gautam and I think. He’s Gautam’s idol and nothing matters moreto him than waking up in the morning and see Gautam smile.



On Khaaleja

Life is an ensemble of incidents. Man becoming God is purely incidental. According to scriptures, there is God in every human being. Daivam Manushya Rupena is the theme of the film. Mahesh Babu is a regular taxi driver, an ordinary human being who transforms into a divine incarnation when he comes face to face with an unjust incident. Honestly speaking, we started out to make a regular commercial Mahesh Babu film but it assumed a life of its own. Watch out for an entire new Mahesh Babu. He has pushed his boundaries and tackled comedy phenomenally well. He is the comedian, character artiste, item guy, action hero, lover boy all rolled into one. It has all the elements of a commercial film and yet very out of the box. Anushka brings bad luck to him throughout the film. That leads to hilarious situations. Mahesh has attempted humour for the first time. I won’t say it’s an experimental film but the treatment is definitely very unusual. There is nothing run-of-the-mill about it. Let me give you some inside news. Mahesh Babu worked with me on the script completely and closely. You can call him associate script writer. We have also tried a new camera technique. There are lengthy shorts without frequent cuts. We haven’t done anything for cinematic or dramatic convenience. Yash Bhatt, the cinematographer has done an outstanding job of using zoom in a very different way.


On Mahesh Babu

Lot of people talk about passion. Mahesh Babu lives it. I remember an incident during the shooting of Athadu. At 2 midnight, after Mahesh had left the set, I wanted him to come back for a retake. He had almost reached home but came back. And then he went about his work with a smile, effortlessly. There is no pressure of working with a star when you work with him. He doesn’t take his star status seriously at all. That’s his best quality as an actor. As a person, he has undergone a 180 degree transformation. Marriage has done wonders to him. He used to be extremely shy with romance before. Now he’s opened up much more. If he can speak truth he does, otherwise he doesn’t bother. The birth of his son has matured him a great deal. It has actually helped him as an actor. He’s so sure of himself now that he’s confident of his first take. His technical knowledge is superb. I think five years from now, he may be ruling Bollywood. He is a reservoir of acting stamina.

Mahesh Babu interview on South Scope : Exclusive

What do I say about p e r c e p t i o n s ?

Many people including some of my media colleagues had led me to believe that Mahesh Babu, the award winning superstar, ambassador for 5 leading brands, may be ruling the roost, but getting him to talk is a project in itself. Obviously, I was blown out of my head when he turned out to be articulate, philosophical and humorous, breaking my perceptions to mithereens. Hear it first hand from the hit man of Telugu cinema as he holds forth on his life so far, brand endorsements, Khaaleja and his dreams…

“The years that I didn’t act are the ones that helped me grow as an actor. I took a break for three years. I can feel the evolution in me. Trivikram’s been echoing my sentiments ever since we began shooting for Khaaleja,” says Mahesh Babu.

All eyes are on his forthcoming film Khaaleja, which is indubitably one of the most awaited films of the season. Everybody is waiting with bated breath to see what the king of understatement, master of subdued acting, is unleashing this time around. We are in Ramoji Film City, Hyderabad, where Mahesh’s entry song is being shot. He is grooving away in a rust and white checks shirt and a pair of blue jeans. He’s sweating buckets no thanks to the humid day and the dusty location is not much help either. Trivikram, his only friend and favourite director is watching intently. Cinematographer, Yash Bhatt is shooting his first south Indian film with gusto. In the background you can see vegetable and fruit bandis and a typical Irani chai place with an interesting name `Try Luck CafĂ©.’ On his right at the far end is a store, Anu Sarees. In the same row at the other end is a Univercell banner, the brand he endorses. People have gathered around the scene to get a dekko of their favourite hero. He gets his moves right and the choreographer is happy. He says something and everybody is in splits. You can sense the easy camaraderie amongst the team. He walks towards the computer, checks out the scene on the monitor carefully and says ‘looks fine.’ He walks towards me and says, “Too much noise here. Let’s go.” And leads me to the vanity van. Once inside, I tell him how we’ve been on a chase to get him on our cover since our launch issue. He says earnestly, “Sorry, I am not a phone person at all,” pointing to the cell phone that’s lying in a corner, “I carry it to stay accessible to Namrata.” I explain, we’d actually been speaking to his wife Namrata who kept us updated from time to time, methodically and promptly. “She’s just unbelievably amazing,” he gushes belying his shy nature, “She’s made my life so much easier. Besides being a great wife and mother, she also handles all aspects of my work. I only look at the creatives. She’s also influenced my dressing. Earlier, I would be comfortable only in checks shirts and jeans but she introduced me to T shirts. Now, I quite enjoy experimenting with my look.” Quite right. His wardrobe has undergone a make- over since Athadu. Was it a conscious decision? Did Namrata play a role in that department as well? “Times are changing. You don’t need me to tell you that. Everything today is about clothes, hair, looks and appearances. For Khaaleja, Mamta Anand has designed my clothes. Namrata brought her on board and she has done a fabulous job.”

On the personal front, everybody is commenting on how he looks more at ease with himself after marriage unlike his earlier reclusive self. “Contrary to perceptions, I am not a recluse. You could call me a private guy. You could even call me shy. Even when Pokiri became this huge massive hit, I felt shy and nervous with all the attention I was getting. But calling me a recluse is a bit far-fetched, you know. The fact is I like my space. I still get uncomfortable with attention though I’m getting better with handling it thanks to Namrata. I’m not a guy who’s ever been into socialising or hanging out at night clubs. That’s not my scene. I love being at home with my family. Namrata has definitely brought out the best in me. My son has totally transformed my life. When I hear my four year old son talk, it’s like a miracle. It’s difficult to put it into words,” says the actor who’s known to be a man of few words. “I’ve been talking ad nauseum to you. I take a little longer than most people to open up. I also don’t believe in using words when silence serves a better purpose. But when words are required for communication, I can speak at length. Like I’m doing at the moment,” he flashes a smile that reaches his eyes. Who are his friends? “Trivikram from the industry.” And outside? “None,” he says. What? How’s that possible? “Yes, it’s true. I have no friends. I studied in Chennai till my B.Com. When I moved to Hyderabad, I lost touch with my friends. Not that I had many of them. Honestly, I don’t miss having friends. I am quite happy with my own company and my family’s. Either I’m working or I’m at home. Life’s blissful this way.” He may not be into socialising but he’s been easily the most active south star on Twitter. “Namrata and Blah, the celeb management company that handles my endorsements were instrumental in getting me on Twitter. They made me realise that this is the only platform where I could have a direct connection with people. Now, I really enjoy tweeting.” Some people are downright rude to stars on networking sites. How does he deal with them? “I haven’t encountered such people, luckily, so far. But if I do, I will ignore them.”

So what’s he doing in Khaaleja? “Ask what Khaaleja is doing in me,” he guffaws. “Jokes apart, you will see a brand new side of Mahesh Babu that’s never been seen before on screen. So far, I’ve played subdued, understated yet powerful roles. This is the first time my character is loud, brash, funny as hell and yet very realistic. Very natural, very convincing. I can never do anything that I’m not convinced about.” How convincing can a professional killer be like he was in Athadu? “Actually, I had trouble initially convincing myself that I can pull it off. But once the director explained the circumstances and situations, I managed to get into the skin of the character. And I think I did a fairly decent job.” Decent? That was by far one of his best on screen performances. “My personal favourite is Okkadu though,” he says. So how does he go about signing a script other than the fact that it should excite him? “I look mainly at the characterisation of my role in the context of the story. If that interests me, if it captures my imagination, I take it on.” So what goes wrong when a film doesn’t work like Sainikudu, for instance? “That was a bad film. The director is undoubtedly one of the best in the industry. Half way through the shooting of Sainikudu, I knew it wasn’t going to work. But then, you can’t abandon a project just because you stop believing in it, right? That has happened with many of my films that flopped.”

So does he change his approach when a film doesn’t deliver? “No, I don’t.” Do flops affect him? “Of course, they do. I get depressed, dejected, I go through a huge turmoil. But I have become better at handling it now. Three years of break helped me immensely.” What did he do during the break? “I saw my son grow up. I also went through deep pain. I lost my grandmother, who I was closest to and also lost my in laws. I spent loads of time with my family. I also discovered my inner strength through spiritual reading. Eckhart Tolle’s The Power of Now and New Earth have influenced me a great deal. I have, however, always been a very balanced person from day one, largely because of my father. He was a huge star with an unbelievable fan following when I was growing up. But at home, he was just my father. No star treatment, no starry airs. I think the best gift parents can give their children is grounding. I hope I can demonstrate to my son what my father did for me. I can’t thank him enough. You know, my being here today, in films is entirely due to him. Every year, we would go to Ooty for summer vacations. Every summer, he would get me to do a film. Before I realised what was going on, I had become a child star with a fan following and popularity! It is easy to get carried away and lose your head. But I have been lucky to have had a normal upbringing.”


What does he like about being a star and why does he think he has the maximum number of endorsements compared to his contemporaries? “I love the recognition, money, fame, love, success but what I love most is the creative aspect of this profession. No two days are the same. There is no scope for monotony or boredom. Yes, I love the endorsements that come my way too. At the end of the day, endorsements are based on an actor’s popularity. I hope that answers your question. Having said that, I must tell you that I accept only the products I believe in. My criteria for accepting Univercell, for instance, was based on the founder’s humble beginnings and his conviction that helped his company succeed in a big way. Thums up, the other brand I have been endorsing for some time now, is a household name and so is Amrutanjan, the newest brand in my wagon. The Provogue campaign should be out soon,” he explains grinning from ear to ear.


Would he ever do a multistarrer? “Why not? I’m open. Though I have my doubts if anybody can come up with a befitting story.” Who would be his dream co star? “Pawan Kalyan. Now, that would be interesting.” Would he ever venture into other areas of filmmaking? “Nah. Once an actor, always an actor. I’m passionate only about acting. I haven’t done anything else in my life, you see. From age 4 to now. I can’t think beyond acting.” That, we’re sure, is music to the ears of his legion of fans.


Namrata Ghattamaneni on Mahesh Babu

As an actor I think he is by far one of the best actors we have in our country. I say country because that’s how I feel truly. He is a consummate actor and gives his all to the character he portrays each time. He is totally committed to his craft. As a husband, he’s incredibly loving and truly understanding. We are the best of friends. Meeting and marrying him have been the best things that have happened to me. I am going through the happiest phase of my life. Do I have to say more? As a father, he’s the best dad in the whole world. At least that’s what Gautam and I think. He’s Gautam’s idol and nothing matters moreto him than waking up in the morning and see Gautam smile.



On Khaaleja

Life is an ensemble of incidents. Man becoming God is purely incidental. According to scriptures, there is God in every human being. Daivam Manushya Rupena is the theme of the film. Mahesh Babu is a regular taxi driver, an ordinary human being who transforms into a divine incarnation when he comes face to face with an unjust incident. Honestly speaking, we started out to make a regular commercial Mahesh Babu film but it assumed a life of its own. Watch out for an entire new Mahesh Babu. He has pushed his boundaries and tackled comedy phenomenally well. He is the comedian, character artiste, item guy, action hero, lover boy all rolled into one. It has all the elements of a commercial film and yet very out of the box. Anushka brings bad luck to him throughout the film. That leads to hilarious situations. Mahesh has attempted humour for the first time. I won’t say it’s an experimental film but the treatment is definitely very unusual. There is nothing run-of-the-mill about it. Let me give you some inside news. Mahesh Babu worked with me on the script completely and closely. You can call him associate script writer. We have also tried a new camera technique. There are lengthy shorts without frequent cuts. We haven’t done anything for cinematic or dramatic convenience. Yash Bhatt, the cinematographer has done an outstanding job of using zoom in a very different way.


On Mahesh Babu

Lot of people talk about passion. Mahesh Babu lives it. I remember an incident during the shooting of Athadu. At 2 midnight, after Mahesh had left the set, I wanted him to come back for a retake. He had almost reached home but came back. And then he went about his work with a smile, effortlessly. There is no pressure of working with a star when you work with him. He doesn’t take his star status seriously at all. That’s his best quality as an actor. As a person, he has undergone a 180 degree transformation. Marriage has done wonders to him. He used to be extremely shy with romance before. Now he’s opened up much more. If he can speak truth he does, otherwise he doesn’t bother. The birth of his son has matured him a great deal. It has actually helped him as an actor. He’s so sure of himself now that he’s confident of his first take. His technical knowledge is superb. I think five years from now, he may be ruling Bollywood. He is a reservoir of acting stamina.
 
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